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Composing Disability is a biennial conference series sponsored by the Columbian College of Arts and Sciences, Office of Diversity, Equity, and Community Engagement, Disability Support Services, English Department, and University Writing Program of The George Washington University.

A History of Composing Disability 

The inaugural event, titled Composing Disability: Writing, Communication, Culture, was held in November 2011, bringing together the fields of Disability Studies and Writing Studies for dialogue about the production of post-secondary student writing.

The second installment of this event series, Composing Disability: Diagnosis, Interrupted, was held in April 2014. This event offered presentations that took as their focus the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders and examined the fraught relationship between the diagnostic work of the medical industry and the embodied lives of disabled people.

The third installment, Composing Disability: Crip Ecologies, was held in April 2016. Crip Ecologies explored the wanted, unwanted, and even unknowable intimacies between humans and their environments as materials for new trans-historical, cross-cultural, and crip/queer research about human, non-human, organic, and inorganic relationships that mark our experiences in the world.

The 2018 iteration of Composing Disability, subtitled Crip Politics and the Crisis of Culture, was held in March of 2018.  Crip Ecologies asked: what might disability politics, disability arts, and disability studies look like in this “post-truth” era or in other eras in which the term might resonate?  How have crip bodies, minds, and behaviors been caught up cultural crises across time or space?  Most pointedly, in what ways does the new authoritarianism present decidedly new challenges for crip politics and theory?